A lot of our code is in the process of being transitioned from Software 1.0 (code written by humans) to Software 2.0 (code written by an optimization, commonly in the form of neural network training). In the new paradigm, much of the attention of a developer shifts from designing an explicit algorithm to curating large, varied, and clean datasets, which indirectly influence the code. I will provide a number of examples of this ongoing transition, cover the advantages and challenges of the new stack, and outline multiple opportunities for new tooling.
In a few years we’ll have artificial intelligence that can accomplish professional human tasks. There is nothing we can do to stop this. In addition our lives will be totally 100% tracked by ourselves and others. This too is inevitable. Indeed much of what will happen in the next 30 years is inevitable, driven by technological trends which are already in motion, and are impossible to halt without halting civilization. Some of what is coming may seem scary, like ubiquitous tracking, or robots replacing humans. Others innovations seem more desirable, such as an on-demand economy, and virtual reality in the home. And some that is coming like network crime and anonymous hacking will be society’s new scourges. Yet both the desirable good and the undesirable bad of these emerging technologies all obey the same formation principles.
Started in 1987, South by Southwest (SXSW) is a set of film, interactive, and music festivals and conferences that take place early each year in mid-March in Austin, Texas. SXSW’s original goal was to create an event that would act as a tool for creative people and the companies they work with to develop their careers, to bring together people from a wide area to meet and share ideas. That continues to be the goal today whether it is music, film or interactive technologies.
Connect with SXSW Online:
Visit the SXSW WEBSITE: http://www.sxsw.com
Like SXSW on FACEBOOK: http://www.facebook.com/SXSWFestival
Follow SXSW on TWITTER: http://www.twitter.com/SXSW